Galperin, W., ed. "Re-reading Box Hill: reading the practice of reading everyday life." Six articles on the Box Hill scene in Emma . "Unanswerable Gallantry and Thick-Headed Nonsense" by Michael Gamer. "Part of my aim is simply to show its complexity of signification, particularly the degree to which Austen frustrates even the most fundamental acts of interpretation and upsets rudimentary correspondences between signifiers and apparent signifieds." "Box Hill and the Limits of Realism," by George Levine. "Perhaps the most difficult thing for a modern reader of Emma to do is to take it straight, to accept Mr. Knightley as the moral authority the story seems to make him." "Social Theory at Box Hill: Acts of Union," by Deidre Lynch, who sees the scene as an acting out of several contradictory imperatives of nationhood and British identity. "Leaving Box Hill: Emma and Theatricality," by Adam Potkey, who traces Austen's stated preferences for Cowper and Johnson in pursuing issues of theatricality and display, to an ultimately deconstructive result. "Saying What One Thinks: Emma at Box Hill," by W. Walling, who considers the problem of anachronism, especially as it relates to views that either praise Austen's progressivism or bemoan her cultural limitations. "Boxing Emma; or the Reader's Dilemma at the Box Hill Games," by Susan J. Wolfson, who offers a close reading of the episode and its ramification in Emma . Wolfson contends it demonstrates that the character of Miss Bates is essential to a shifting idea of community in the novel. Romantic Circles (2001).
Hazel Carby , Barbara Christian , bell hooks , Nellie McKay , Valerie Smith , Hortense Spillers , Eleanor Traylor, Cheryl Wall and Sheryl Ann Williams all contributed heavily to the Black Feminist Scholarship during the 1980s. During that same time, Deborah E. McDowell published New Directions for Black Feminist Criticism , which called for a more theoretical school of criticism versus the current writings, which she deemed overly practical. As time moved forward, theory began to disperse in ideology. Many deciding to shift towards the nuanced psychological factors of the Black experience and further away from broad sweeping generalizations. Others began to connect their works to the politics of lesbianism. Some decided to analyze the Black experience through their relationship to the Western world. Regardless, these scholars continue to employ a variety of methods to explore the identity of Black feminism in literature. 
Intentionality - "is at the heart of knowing. We live in meaning, and we live 'towards,' oriented to experience. Consequently there is an intentional structure in textuality and expression, in self-knowledge and in knowledge of others. This intentionality is also a distance: consciousness is not identical with its objects, but is intended consciousness" (quoted from Dr. John Lye's website - see suggested resources below).